7 Things to Think About When Writing the Future…or the Past

Nora Roberts is best known for her romance novels — all of which move through several genres. You’ve got historical, fantastical, modern, thriller, etc. (I could list and list and list…but you get the point.)

But she’s also the creator of the J.D. Robb in Death series. For those of you who may not be familiar with this series, I’ll give you a quick rundown: the main character, Eve Dallas, is a police lieutenant in 2058 New York. She works crazy murder cases. During one particularly gnarly investigation (in book one, Naked in Death), she meets and falls in love with billionaire Roarke. Through the course of the series they deal with murder, mayhem, and mystery while navigating and growing their own relationship.

Note that the series is set in New York in 2058.

Welcome to future, where cops and criminals alike use sealant to cover up their fingerprints — the cops to avoid contaminating a scene, the criminals to avoid getting caught. There are licensed “companions” (think Firefly companions), businesses can have offices off-world, and the digital world requires its own investigative department. Holodecks are real(ish). Plastic surgery is as much a part of the beauty routine as a haircut. AutoChefs make your food.

Neat, right?

But, if you’re planning on writing something in the future, in order for the reader to buy into your world, you have to make the future somehow seem plausible. Nothing in J.D. Robb’s futuristic world is out-of-bounds. In fact, a lot of the available technology in her 2058 is available here-and-now…just on a much smaller, less affordable scale. As I was reading through the in Death series, it occurred to me that there are some things to keep in mind if you’re gonna take the leap and move the world forward.

These are items of world-building that are useful both for a positive/negative future, and also for historical novels. (Though, for historical works, the answers to these questions/concerns inherently come from your research.)

And now I ask you a ton of questions — you’ll note these are things we debate today…humans are nothing if not creatures of habit.

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1. Energy
What is powering the future? Oil? Renewable energy like solar/wind/water? Lithium crystals? How does the energy resource work? Are there periods of “downtime” (i.e. brownouts)? Who controls the energy resource? The government, corporations, small bands of local farmers? Where’s the money? He who controls the energy controls the world.

2. Sex
Who gets to have it? For what purpose? What are the rules around it — genders, ages, race, religion, marriage? Is it accepted or just tolerated? Who gets to have children? When and why? How is reproduction monitored — cloning, artificial reproduction, etc? What birth controls are available and to which sex? How is pornography handled and what actually constitutes pornography in this future? Is falling in love a goal, is it frowned upon, is it an okay thing? Is sex more business or more pleasure?

3. Groups
Who is in charge? Why? What’re the pro/cons about them? Who is not in charge/disenfranchised? Why? What’re the pro/cons about them? What are the disenfranchised doing to become franchised? What does a family group look like? Who educates the young? What are the values instilled by the elders to the young? How are the elders treated? Who makes the rules? Who enforces the rules? What does the military/police force/vigilante justice look like? What are the consequences within the group for breaking the rules? What are the rewards for following the rules?

4. Technology
Is there a comparable technology today and why is your evolution of this technology the most accurate? Do people enjoy using the technology as it is? (I’ll admit, I’m thrown mostly by Robb’s “links” which are basically cell phones which everyone keeps on Facetime. I hate Facetime and far prefer texting and so do most people I know.) What are the glitches? How dependent is your society on that technology? Also remember — the bad guys will have this technology too. Anything that can be used for good can be used for evil.

5. Religion
How is faith regarded? How is it policed? How does it police? What are the tolerated religions and what religions are excluded? What’s its role in government? Who practices it? Who looks down on it? Who respects it? How is faith communicated (kneeling, genuflecting, etc)? How does prayer work? Are prayers answered?

6. Currency
How are goods and services bought and paid for? How are they exchanged? Who decides the economic factors? Who is impacted the most? The least? What are the highest valued professions? Which are the necessary professions? How are luxuries defined? Who gets the luxuries? What does poverty look like? Who suffers poverty? What is the money? Gold? Silver? The magical self-perpetuating stones of Reorax?

7. Entertainment
What does it look like? Is it respected? Are there forced entertainments/propaganda? What is publicly decent/indecent? Who decides? How is it enforced? Is there a written language? Who’s allowed to read/write/communicate? What do performances entail? Who supports the entertainers? How? What are sporting/musical/contest events like? Who gets to participate?

What am I missing? Have I asked enough questions? Not enough?

Rodrigo Duterte and the Professor Inspire Still Life

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Writing Wednesday: The Girl in Blue

My friends and I have a Pinterest board where we share interesting pictures to inspire us to write cool things. This is one I keep coming back to, and which I responded to in a 365 story (below image). I’d like to see what you guys do with it. Share your response or link to your response in the comments. Happy writing:

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09-04-2016

Pace Yourself: Using Nora Roberts’ Insane Productivity to Inspire Your Own

Writing math is the only kind of math that I do. (I’m a writer, I do words. Numbers are another beast.) I’m constantly figuring and re-figuring how many words I need per day to complete my novel by X date. The date keeps moving because, inevitably, I’ll miss a day or three in my allotted schedule and have to adjust. And I ALWAYS feel like I’m going to slow.

Now, I know you’re not supposed to compare yourself to other writers, published or otherwise. Every writer has their own pace. Every writer has their own process. And one of the reasons I think writers read articles and books on writing (hello!) is to help refine their own process. At least, I hope that’s the case. It’s unhelpful to draw comparisons between two people’s situations. But it can lead to groundbreaking productivity if you find a nugget of advice that you can steal and apply to your own work. Like:

“Why, yes! I will write in the morning before everyone else in the family wakes up.”

Or:

“Why, yes! I will write in the evening after the kids are in bed.”

Either way, as long as you figure out your process, you scored. Right?

Sometimes, however, you come across a writer who is intimidating in their productivity. This writer will make other prolific writers feel like incompetent wannabes with no work ethic who’re sitting around, wearing tweed, sucking their thumbs and agonizing over why the muse doesn’t talk to them.

Nora Roberts is such a writer among writers.

She has over 200 books in print right now — with no backlog, according to her. She’s been writing since 1979, with her first published novel happening in 1981. So I did the math:

200 books/37 years (since it’s January, I just counted up to 2016 because she’s only had a couple weeks this year…) = 5.4 books a year.

Assuming each book is around 100K (the average-ish American novel), that means she has written at a NaNoWriMo (National Novel Writing Month) pace — 1,667 words per month — every month for three decades.

Suck it, Stephen King! — Who, I’m guessing, blasted out a short story while I was typing this sentence.

Being the competitive type, here is an illustration of my initial thought upon doing this math:

nora-roberts-kermit-meme

But no. It’s a vicious lie I’m telling myself right there. I’m not that fast. I believe that I can hit a Chuck Wendig/Stephen King type pace with some effort. (And, let’s be real, that’s some kind of pipe dream.) But Nora Roberts will forever kick my ass at churning out words. However, there are some things to learn from such numbers:
1. To produce words, you must show up and do the work — which means exactly what it means. This shows up in EVERY SINGLE PIECE OF ADVICE TO WRITERS. There’s a reason for this. Words do not magically show up on the screen and tell stories. Writers have to do that. Nora Roberts writes everyday. [website]

2. Those numbers are produced by a human — which means I (and you) can produce something. Maybe not the million-and-a-half novels that Roberts will complete by the time she goes to work at the great typewriter in the sky in a hundred years or so, but words can be put on paper. Lots of them. Probably even more than I think I can do.

3. Be bold and interested in what you write. I’ve read a handful of Roberts’ novel in the past month or so. One of them was Origin in Death, which I found fascinating because Roberts took the ethics of cloning, mixed it with murder, and created an intricate story that touches on a lot of current issues. The tangle she created is enough to drive several stories, if she was so inclined. If you want to produce more words, then pick subjects that fascinate you. You’ll want to get back to work because it’s interesting for you.

And don’t shy away from contemporary issues that inspire or anger you. If you want to write about politicians, or medical discoveries, or technology, then freakin’ do it — don’t think “Who am I to write/comment on these things?” — you’re a writer and a citizen of the human race, and if it moves you, if you have something to say: SAY IT.

4. Be consistent. And be patient. Roberts has been writing (based on her interviews and her author bio) for 37 years and a couple weeks. That’s an entire lifetime for some people. (i.e. Me.) Producing things takes the time it takes, but as writers, we need to put in that time.

In the interest of productivity tips: as a writer, what do you do to keep yourself putting the words down? What’s the best tip you’ve heard for producing material? Are you intimidated by Nora Roberts-type numbers, or do you find it inspiring? Or both?

“What the Chinook Carries Over Mountains”

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Writing Prompt Wednesday: 100 Words of Your Own

So, I’ve just written a bunch of 100 word stories…now I think it’s your turn.

Your assignment, should you choose to accept it: write a 100 word story of your own. It doesn’t have to be great. This process is just to play.

Put your results in the comments section, or share a link to your own blog/website. Can’t wait to read what you come up with!

Kicking off 2017 with Nora Roberts

As you know from yesterday’s post, I finished my 2016 goal of writing 365 Little Stories! Now I need something else to do. So, after much pondering, I have decided that I’m going to return to something that I did on my previous blog:

Mentors.

All artists need to study their craft, yes? And to study, you need teachers. And the best teacher for writing is reading, yes? Therefore, I’ve decided that I will do some focused reading on writers, both currently practicing and those that have long gone to the great library in the sky, and I will report my findings here…so we can steal their techniques, their methods, their habits, and their insights to improve our own writing.

(Not plagiarism. Plagiarism is bad. This is to learn the mechanics of things, not to steal the things themselves.)

Kicking off 2017: Nora Roberts /J.D. Robb!

You may have heard of her.

I write mystery reviews for Criminal Element, and for the last month, we’ve been collectively working on reading through the J.D. Robb in Death series, so I’m quite fresh-up on Roberts/Robb work. (And, for the sake of not having to do slashies — all of my references to Roberts/Robb will now be Roberts.)

Here’s what you need to know about Nora Roberts, and why I think we can learn some things about writing from her:

1. She’s been writing for my entire lifetime. She started writing during a blizzard in 1979 that kept her inside with her small children. She got an idea, started writing, and in 1981 her first novel Irish Thoroughbred was published. So she’s got the experience.
2. She’s incredibly prolific — having written over 200 books, she shows no sign of slowing down. There are over 40 titles in the in Death series alone. So she’s got the work ethic.
3. She’s a mega-bestseller. Millions of copies of her titles have been sold around the world.  So she can reach people.
4. Known for romance, she mixes up genres within the genre. So she’s got some flexibility in those typing fingers.
5. She has a blog too, if you want to learn about her “everyday” days. So she’s a real person.

Every Tuesday in January and February, I’m going to post something about Roberts’ work. I’ll switch mentors every couple months. Here’s a link to the previous mentors I studied on my last blog (I prefer WordPress’s format, so I moved over).

If there’s something specific you’d like me to look into about Roberts’ work, please let me know. And I would love to know if, as I suspect, there are writers reading this, there are any writers you particularly look up to? Why?